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Amandine Urruty lives and works on her bed, with a suit case full of pens always nearby. After studying at University for long years and a brief career in underground music, now Amandine Urruty spreads her gallery of weird characters on all kind of mediums, on paper as on walls. As she masters techniques of traditional drawing, Amandine Urruty offers us a cheerful gallery of deviant portraits, associating grotesque outfits with baroque decorum. A way to miraculously reconcile lovers of alchemistic symbolism to young ladies with too much make up. Indeed, Amandine Urruty builds her images like we would wander in the alleys of a Sunday fee market, borrowing to the mass of objects and to second hand toys their fundamental ambivalence, being wicked and peaceful, decorative and saturated at the same time.

Since the beginning of her career, more than ten years ago, she took part in more than seventy exhibitions around the world. She also published four monographic books : « Robinet d’Amour » (Les Requins Marteaux) in 2011, « Dommage Fromage » (United Dead Artists, 2014), « Certains l’Aiment Chiot » (Critères, 2018) and « The Party » (United Dead Artists, 2018). Her activity is now shared between exhibitions, illustration and a bit of wall painting.

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Amandine Urruty vive e lavora direttamente dal suo letto, con un astuccio pieno di matite sempre a fianco.
Dopo i suoi studi universitari ed una breve carriera nel mondo della musica underground, adesso Amandine propaga la sua personale galleria d'arte, fatta di strani personaggi in bianco e nero, rappresentati sia su carta che su muro.
Grazie alla sua maestria nella tecnica del disegno tradizionale, Amandine Urruty offre un allegro insieme di ritratti devianti e perversi, che associano outfit grotteschi a decorazioni barocche.
Le immagini di Amandine trasportano l'osservatore come in una passeggiata tra i vicoli di un mercato delle pulci, appropriandosi da masse di oggetti e giocattoli di seconda mano della loro fondamentale ambivalenza: perfidi e pacifici, decorativi e saturi allo stesso tempo.

Dagli inizi della sua carriera, l'artista ha preso parte a più di settanta mostre in tutto il mondo.
Ha inoltre pubblicato quattro libri monografici: « Robinet d’Amour » (Les Requins Marteaux) nel 2011, « Dommage Fromage » (United Dead Artists, 2014), « Certains l’Aiment Chiot » (Critères, 2018) e « The Party » (United Dead Artists, 2018).
La sua attività oggi si divide tra mostre, illustrazioni e pittura murale.

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Amandine Urruty

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MAGMA gallery exhibits internationally renowned and emerging contemporary artists, with a research-based approach to bring out the most innovative trends within the rapidly changing art market.

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