Julie Oppermann (San Francisco, California, 1982) is an artist from New York who lives and works in Berlin. The body of her work merges three very different things together – 1960s Op art, ’70s video imagery and ’80s abstraction. In 2018 she participated to Mediations Biennale 6 in Poznan (Poland) and exposed her works during a collective show named “Plural” at Marjorie Barrick Museum in Las Vegas. She had solo exhibitions at Mark Moore Gallery in Los Angeles, Galerie Röpke in Cologne and in Madrid. Her work is included in numerous public and private collections, including the Museum of Fine Arts Houston, and the Museum of Contemporary Art, San Diego, California.

Oppermann received her BFA from The Cooper Union, and a Master's in Neuroscience from the University of California, Berkeley. In 2012 she completed a residency at FAAP in São Paulo, an academic exchange with Professor Robert Lucander at the Berlin University of the Arts, and completed her M.F.A. at Hunter College. Drawing from her background in Neuroscience, interest in perception and cognition, and study in Color Theory, her brightly colored, scintillating paintings recall the psychedelic, while maintaining a strong conceptual rigor. Oppermann’s systematic and rule-based process is matched by her impulsive and intuitive approach, resulting in uncanny, often unsettling decisions that set up compelling tensions within the work. Her series of paintings explore the contemporary idea of interference in relation to how information is disseminated, transmitted, and ultimately perceived. Her work pushes the limits of visual perception, making paintings that are physically difficult to perceive. The scintillating effects arising through the calculated layering and juxtaposition of contrasting colors through repetitive line patterns elicit shuttering afterimages, optical flicker, and disorienting sensations of movement.